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| UMAID BHAWAN PALACE |
Umaid Bhawan Palace, located at Jodhpur in Rajasthan, India, is one of the world's largest private residences. A part of the palace is managed by Taj Hotels. Named after Maharaja Umaid Singh, grandfather of the present owners of the palace, this monument has 347 rooms and serves as the principal residence of the erstwhile Jodhpur royal family.Umaid Bhawan Palace is the last of the many mansions of India and one of the largest royal residences in the world –extending upto 26 acres.
Umaid Bhawan Palace was called Chittar Palace during its construction due to its location on Chittar Hill, the highest point in Jodhpur. Ground for the foundations of the building was broken on 18 November 1929 by Maharaja Umaid Singh and the construction work was completed in 1943.
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| Baradari Dining Experi |
Mehrangarh was the soul of the Rathore clan that would never change. But tireless builders that they were, Rao Jodha's original masterpiece had been altered repeatedly. And some of the alterations were in the powerful Mughal style that dominated much of the country's landscape. Its scalloped arches, domes, floral carvings, botanical paintings, water courses etc. Umaid Singh's Chittar Palace, on the other hand, brought back the Rajput tradition.
The majesty of the palace was only to be expected. It was, after all, built by a blood line that probably went back all the way to the Rashtrakutas, the Kshatriya kings responsible for creating one of the oldest Hindu architectural traditions in India with the Kailashnath temple strewn from living rock.
Umaid Singh grew up on the cusp of a world in transition. The East India Company (aka the John Company) had been humbled by the great uprising in the Indian sepoy troops. The rebellion ushered in the British Imperialist era, and since the Rajputs remained loyal to the John Company, the British aristocracy grudgingly welcomed the princely states into their club. Umaid Singh, already integrated into the traditions of the past, was educated in one of the Princes' Colleges in the tradition of Eton, Rugby, Winchester and the other great British public schools of the time. He, like most of his clan at the time, was educated to be sophisticated, worldly and competitive. At the tender age of sixteen, he was pushed unexpectedly into the role of a Maharaja. Five years later, he gained full monarchical powers. The British and his regent, Sir Pratap Singh, used those intervening years to open the monarch's eyes to the possibilities that order and bureaucracy held for Marwar.
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| HH. UMAID SINGH RATHORE |
The primary entrance to the palace is called the Rajmahal, which contains the traditional Rathore coat-of-arms, bearing the sacred kite, an incarnation of the family goddess. Its symbol is omnipresent in the palace and as a mark of reverence, kite hunting is not allowed in Jodhpur. It houses several banquet halls and ball rooms where the monarch used to entertain his guests (usually European), a billiard hall and an imposing Durbar Hall. It has libraries panelled with teak, circular reception halls, magnificent double staircases, marble flooring, a swimming pool embellished with tiles depicting the zodiac. The wings include courtyards, staff offices and zenanas (women's quarters), a cinema house and opulent royal suites. Suffice to say a visit to the palace will simply knock your breath away. The unique feature of the palace is that it is not mortared at all, but like the Jaisalmer fort it was built out of solid interlocking blocks of stone. The chunks of rock were cut from the Sursagar quarry located 13km away.
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| MARWAR ARMS |
Palace Served As A Military Base During Second World War:
During the Second World War even while the structure was unfinished, the palace became a military base for the allied troops. Christmas dinners for the entire military community were organised annually at the palace, with the Jodhpur royals playing a key role in keeping up the morale of the soldiers during the war. When Umaid Singh died in 1947, his son Hanwant Singh became maharaja but he too was killed in a plane crash five years later. While his heir Gaj Singh, who was only four at the time was being educated in England the palace remained unoccupied. One year after Gaj Singh returned to India, the then Prime Minster derecognised the princes and ended their privileges.
Construction:
The palace built by Maharaja Umaid Singh who ruled from 1911-47 was the last expression of princely architectural extravaganza during the British Raj. It was in 1925 that Umaid Singh went to London in search of an architect and commissioned the firm of Lancaster and Lodge to build the palace. The foundation stone was laid in 1929 at Chittar Hill- a sight dictated by astrological considerations. "Striking indeed is the impression of romance and dignity which this occasion conveys" said Col. Windham at the time of its inaugaration, adding while addressing the king "It conjures up both a retrospect of the past and a prospect of the future Your Highness."
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| UMAID BHAWAN PALACE |
Umaid Bhavan palace Jodhpur, India. It took some 3000 people working round the clock some 15 years to complete and ranks as one of the world's largest residences. The massive structure is also referred to as Chittar-ka-Bangla or Chittar Bungalow. The 347-room building was designed by Henry Lanchester, an understudy of Edwin Lutyens (who designed most of New Delhi) it contains two huge wings separated by a double dome 185 feet tall.
Rajmahal
Built on the Chittar Hill in southeastern area of the Jodhpur, construction employed more than 5000 men for fifteen years. The building does not use mortar or cement to bind stones together; all of its pieces are carved stones joined together by a system of carved, interlocking positive and negative pieces. A specially constructed train line was used to transport these large blocks of stone. Umaid Bhavan is designed in such a manner that it always maintains the temperature at approximately 23 degrees Celsius.
Gardens of the Umaid Bhawan Palace:
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| UMAID BHAWAN PALACE |
The palace grounds cover 26 acres (10.5 ha), out of which the constructed area covers 3.5 acres (1.4 ha) while 15 acres (6.1 ha) are devoted to the lawns.
Designed by renowned Edwardian architect Henry Vaughan Lanchester and Indian architect Budhmal Rai, the palace is a blend of eastern and western architectural influences. The building's prominent central dome, a majestic 105-foot (32 m) high cupola, is influenced by the Renaissance, while the towers draw inspiration from Rajput tradition. The project was to cost the Maharaja Rs 94,51,565. The resident engineer for this project was Hiranand U. Bhatia. The interiors for the palace were designed by Maples of London, however, in 1942 the ship transporting them was sunk by the Germans. As a result, the Maharaja employed the services of a Polish interior designer Stefan Norblin. The lavish interiors with gilt furniture and elegant artwork follow the Art Deco style, complemented by the exotic murals of the self-exiled Polish artist Stefan Norblin. The new Chittar Palace was a fitting tribute to its ancestor, the imposing and majestic Meherangarh Fort, which was built by Rao Jodha and has never been conquered by force of arms.
Marwar Hall in Umaid Bhawan Palace
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| UMAID BHAWAN PALACE HALL |
The lead project that would usher Jodhpur into the twentieth century was to be the new palace. It had to be large enough, grand enough, breathtaking enough to deserve taking the place of Mehrangarh Fort as the symbol of Jodhpur. In 1924, the Maharaja met with Henry Vaughn Lanchester. He had spent decades travelling the world as architect and town planner, and was no stranger to the traditions of Hindu architecture. While discussing his vision for the palace, Lanchester outlined his strong stand against the Mughal aesthetic, arguing that the States of Rajasthan came under Muslim domination only to a limited extent, and their traditions very rarely made use of Mughal features. Umaid Singh knew he had found his man.
Determined to incorporate the traditions and unique world view of the land in his concept, Lanchester went eons back to the Hindu mountain temples for his inspiration behind Umaid Bhawan Palace. Umaid Singh knew immediately it would be a fitting tribute to his ancestors. But it is by no means a new antique. Umaid Singh was free of the archaic nineteenth-century lifestyle and in love with progress. While his palace may have been inspired by tradition, it was, at the insistence of the forward-thinking monarch, built on the cutting edge of progress.
The eclectic blend of art deco and millennia-old Hindu architectural traditions is still a powerful symbol of the Rathore clan's identity. While Mehrangarh was, in the words of Kipling, “the work of Angels, Fairies and Giants”, Umaid Bhawan is, in the words of an anonymous poet, “a majestic, handsome warrior, his arms spread wide for a loving embrace.”
Present status:
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| HH MAHARAJA GAJ SINGHJI |
The present owner of the Palace is HH Maharaja Gaj Singh of Marwar Jodhpur. The Palace is divided into three functional parts - a luxury Taj Palace Hotel (in existence since 1972), the residence of the erstwhile royal family, and a Museum focusing on the 20th century history of the Jodhpur Royal Family. The opening hours of this museum are 9 am to 5 pm.
UMAID BHAWAN PALACE'S IMAGES
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